FOR IMMEDIATE RELEASE

January 17, 2020

J. Paul Getty Museum Granted Export License to Acquire 18th-Century Painting by Joseph Wright of Derby

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Amy Hood
ahood@getty.edu
310 440-6427
Getty Communications

J. PAUL GETTY MUSEUM GRANTED EXPORT LICENSE TO ACQUIRE 18TH-CENTURY

PAINTING BY JOSEPH WRIGHT OF DERBY

 

Two Boys with a Bladder, about 1769-70,

by Joseph Wright of Derby

 

LOS ANGELES – The J. Paul Getty Museum announced today that the acquisition of Two Boys with a Bladder will proceed, following the granting of an export license by the Arts Council of England.

          “We are very pleased that an export license for Two Boys with a Bladder by Joseph Wright of Derby has been granted. This important work has not been on public view since the 18th century and is therefore virtually unknown to scholars,” said Timothy Potts, director of the J. Paul Getty Museum. “We look forward to sharing this spectacular painting with our visitors and scholars in the context of our other 18th-century collections. Two Boys with a Bladder counts among Joseph Wright of Derby’s most accomplished nocturnal subjects and reflects the experimental interest of artists and scientists of the Enlightenment. It joins two other works by the artist at the Getty.”

About the Painting
          The recently rediscovered painting depicts two young boys, boldly lit by a concealed candle, inflating a pig’s bladder. In the 18th century, animal bladders served as toys, either inflated and tossed like balloons or filled with dried peas and shaken like rattles. While bladders appeared frequently in 17th-century Dutch painting they were depicted less frequently in 18th-century Britain. It was a motif that Wright made his own; the elaborate costumes that the boys wear are of the artist’s own invention, in the style of British “fancy pictures.” The dramatic pictorial effect created by the concentrated candle light within a dark interior setting was in vogue in much of Europe in the late 16th and 17th centuries, but it was not until the 18th century that English artists picked up the theme, Wright being among the first to do so.

          The previously unpublished masterpiece is Wright’s earliest known treatment of the subject. Unseen in public since the 18th century, the painting forms part of a sequence of dramatic nocturnal paintings that includes The Experiment on a Bird in the Air Pump (1768, National Gallery, London) and An Academy by Lamplight (1770, Yale Center for British Art, New Haven, CT). It was painted as a pendant to Two Girls Dressing a Kitten by Candlelight, which is now at Kenwood House in London.

          “Two Boys with a Bladder is a remarkable discovery that sheds new light on Wright’s work at the most important moment of his career,” said Davide Gasparotto, senior curator of paintings at the Getty Museum. “It is a compelling example from his most important and successful genre, candlelight paintings. Moreover, Wright’s innovative experimentation with the use of metal foil embodies a sense of technical and scientific exploration that typifies the intellectual milieu of the midlands on the eve of the industrial revolution. It is a major addition to the Getty’s holdings of art from the English golden age.”

 

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Getty is a leading global arts organization committed to the exhibition, conservation, and understanding of the world’s artistic and cultural heritage. Working collaboratively with partners around the globe, the Getty Foundation, Getty Conservation Institute, Getty Museum and Getty Research Institute are all dedicated to the greater understanding of the relationships between the world’s many cultures. The Los Angeles-based J. Paul Getty Trust and Getty programs share art, knowledge, and resources online at Getty.edu and welcome the public for free at the Getty Center and the Getty Villa.

The J. Paul Getty Museum collects Greek and Roman antiquities, European paintings, drawings, manuscripts, sculpture and decorative arts to 1900, as well as photographs from around the world to the present day. The Museum’s mission is to display and interpret its collections, and present important loan exhibitions and publications for the enjoyment and education of visitors locally and internationally. This is supported by an active program of research, conservation, and public programs that seek to deepen our knowledge of and connection to works of art.

 

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